Drop review – a standout from White Lotus excels in tight first date thriller
SXSW film festival: Meghann Fahy lands a killer star vehicle with a fun, seat-edge piece of pulp entertainment, playing a woman tasked with killing her date
I have a special place in my heart for a movie that knows what it is, doesn’t mislead and delivers accordingly in a tight 90 minutes. Drop, as indicated by title and trailer, is a one-room thriller for the digital natives: what would happen if your phone was barraged by mysterious AirDropped memes telling you to kill your date, or your family dies? It’s a simple premise familiar to anyone who has received an unwanted dick pic on the subway, and one that writer/director Christopher Landon drills into with fresh and invigorating precision.
And one elevated by two well-cast leads in Meghann Fahy and Brandon Sklenar, who both keep their cards just close enough to their chests. Sklenar, recently in It Ends With Us, once again convincingly plays the nice, understanding guy to a woman who has survived domestic abuse; sweet and self-effacing, he’s more “fuck” or “marry” material than “kill”. But this is Fahy’s movie as Violet, a therapist for survivors of domestic violence and a single mother to a five-year-old son. She is no stranger to it; the film opens with a scene one could assume is a flash forward, with a bloody and bruised Violet crawling limply away from her late husband, who brandishes a loaded gun.
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