Trump has been under scrutiny from his base over failure to release further Epstein documents

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Donald Trump on Friday morning launched a fresh defense of his conduct in the Jeffrey Epstein case after the scandal deepened on Thursday following a Wall Street Journal report that he had written the sex offender a bawdy note with a sketch of a naked woman.

“If there was a ‘smoking gun’ on Epstein, why didn’t the Dems, who controlled the ‘files’ for four years, and had Garland and Comey in charge, use it? BECAUSE THEY HAD NOTHING!!!” Trump said in a Truth Social post early on Friday.

The guy who treats collapsing timelines like a crossword puzzle has one extra superpower this time around: he’s played by Pedro Pascal

The Avengers need a new leader, and given how many potential candidates for the gig have either died, retired, or turned evil, they need it soon. The multiverse is collapsing, timelines are unravelling, box office numbers are wobbling, the Kang plan is in tatters and Blade is on its ninth script. So, naturally, Marvel’s answer is to hand the reins to a stretchy man in sensible shoes who once broke the entire multiverse.

Yes, according to The Fantastic Four: First Steps director Matt Shakman, the awesome foursome’s Reed Richards is being lined up as the new leader of Earth’s mightiest heroes. Or at least, he is (at times) in the comics, and it looks increasingly like he might be the only reality-straddling, buttoned up polymathable to take on this job on the big screen.

Justice Collins Rice says it is for politicians and not courts to change rules around two-child benefit cap

Two women who conceived their eldest children while they were in violent and controlling relationships have lost a legal challenge to the rules around the two-child benefit cap.

A high court judge said the accounts of the abuse the women faced when they were “vulnerable girls barely out of childhood” were “chilling”.

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The salty nooks of this harbour town are the setting for a bleakly brilliant coastal festival taking in migrants’ plight, water pollution, burial urns – and some sweet relief

Folkestone doesn’t have a pier. It has an Arm. That’s what the harbour’s long walkway into the Channel is called. It is a suitably surreal, even grotesque setting for the Folkestone Triennial artworks that infest its salty nooks and crannies – or armpits and elbow crooks. Laure Prouvost has placed a mutant seabird, with three heads and an electric plug on its tail, on the adjacent concrete stump of the defunct ferry terminal. Surprising? Not really if you have just visited The Ministry of Sewers, an installation by Cooking Sections that documents and protests the poisoning of our rivers and seas.

There’s nothing like an exhibit on the scale of Britain’s water pollution to kick off a day at the seaside. It’s cloudy when I visit, the cliffs and sea swathed in white mist and the water under the Arm looking like a detergent soup. It all adds to the uncanny mood. And art doesn’t come much more uncanny than the sculpture by Dorothy Cross near the far end of the Arm. You have to go down soaking wet, concrete steps to a recess with a precipitous opening to the evil-looking sea. “Try not to fall in,” says the attendant, who stays up above. Here you find a massive block of blood-coloured marble, as if a giant tuna steak had been stashed here by fish smugglers. The sides are smooth, the top uneven and rough. Out of this earthy hulk Cross has carved several pairs of feet in hyperrealistic detail, nervously walking its beach-like surface. They face out to sea, as if about to make a bold leap into the blue-green water, to find a better life.

The tourists are favourites against Australia, who need everything to go their way if they are to compete in this series

There is nothing that can compare to running out for a British & Irish Lions Test for the first time. I was speaking to Andy Farrell this week and I was getting goosebumps just thinking about it. Running out on to the field, the noise, the energy, the stakes – it’s completely different from anything those players will have experienced before. It’s a new chemical stimulus and in conversation with Farrell I was immediately transported back to Durban and 2009.

For all the sports psychology, visualisation and every bit of preparation you can do, it’s still different. It changed the way I warmed up. I made sure I got out on to the field early just to be able to absorb it. You are not a spectator when the whistle goes, you’re not looking around thinking: “This is cool”. That’s for the fans, so I would go out early to feel it, to sense it and just get used to it.